Stephen Coonts’ Flight of the Intruder takes readers straight into the tense, roaring heart of the Vietnam War — not from the jungles, but from the cockpit of an A-6 Intruder bomber. The novel follows Navy pilot Jake Grafton, who launches from a U.S. carrier to strike targets deep inside North Vietnam.

Where this book truly soars is in its flying scenes. Coonts, himself a former naval aviator, writes with authenticity and precision. Each mission feels real — from the preflight checks to the disorienting flashes of anti-aircraft fire. When Grafton straps into the cockpit, you feel the adrenaline, the discipline, and the quiet fear of what’s ahead.

Equally compelling is the portrayal of carrier life, the hierarchy, the routines, and the fragile balance between boredom and chaos. Coonts successfully brings to life the world below deck as effectively as the one above the clouds.

However, the novel’s main plotline is an illegal bombing run on Hanoi. Perhaps that has happened in Coonts experience, but for me this strains credibility. It’s hard to imagine a disciplined Navy pilot jeopardizing his career and future on a rogue mission, no matter how frustrated he feels about the war’s politics. This stretch of believability weakens an otherwise solid narrative.

Still, the thrill factor remains undeniable. The air combat scenes are cinematic, and Coonts’ insider perspective adds a layer of realism that most military thrillers lack.

Benjamin L. Darcie’s audiobook narration deserves special mention. His delivery captures both the tension of flight and the quieter moments of introspection, making the story engaging from takeoff to landing.

In the end, Flight of the Intruder is an exciting, well-crafted piece of military fiction — a mix of technical precision, human drama, and the moral gray zones of wartime decision-making. Even with a few implausible turns, it’s a journey worth taking for anyone fascinated by aviation or naval life.

Midnight Black is another fast-paced and gripping entry in Mark Greaney’s Gray Man series. This time, Court Gentry (the Gray Man) takes on one of his most personal and dangerous missions yet. His objective is not a contract or a target, but a rescue. Zoya Zakharova, his partner and former Russian spy, has been captured and thrown into a brutal prison camp deep inside Russia. Refusing to believe she’s lost forever, Gentry embarks on a desperate mission to bring her back, no matter the cost.

The pacing is fierce right from the start. The book portrays a strong emotional drive in the Gray Man, which was never seen in any of the previous books in the series. For the first time in 14 books of the series so far, the readers (and followers of the series) see a personal side of him and he appears truly human.

The book leans heavily toward action and military-style missions rather than subtle spy craft.

The narration by Jay Snyder deserves special mention. His delivery once again elevates the story to another level. The pacing of his narration perfectly matches the tension and rhythm of Greaney’s writing, and his voice modulation brings each scene and character to life. Snyder has become inseparable from the Gray Man series, and his performance here is among his best.

Midnight Black is pure adrenaline with heart — a mix of non-stop action, emotional stakes, and high-end espionage. It’s a story about loyalty and love set against the backdrop of danger and impossible odds. I was not disappointed, and I can definitely say the series’s fans will not be either. New readers will find it a thrilling introduction to one of the best modern spy thrillers.

James Rosone and Miranda Watson’s The Gotland Deception arrives with the promise of a gripping military technothriller, setting the stage for a new global conflict in the 2030s. The book’s premise seems very compelling.

I found that roughly 85% of the book is devoted to comprehensive world-building. This includes deep dives into family life, military exercises, spy infiltration plots, and incredibly detailed descriptions of autonomous systems and advanced equipment. While some foundational work is crucial in launching a new series, this extensive setup significantly slows the narrative pace.

It’s clear the authors are meticulously establishing the stakes and the technology of this near-future world. They detail the “frontlines to a proxy war” across locations like Angola, Svalbard, and Taiwan, painting a plausible, if chilling, picture of how a new World War III could quietly begin.

The good news? The meticulous setup pays off—eventually.

The real, explosive action only kicks in during the final chapters. When it does, the pace accelerates dramatically, delivering the kind of fast-paced, engaging military action fans of Rosone’s The Monroe Doctrine series expect. That late surge of adrenaline and thrilling potential is what truly saves the book.

I’m rating The Gotland Deception three stars, largely on the strength of that ending. It’s an undeniable hint that the sequels, built on the solid, albeit dense, foundation of this first installment, could very well deliver a continuous, gripping thriller experience. It’s a slow burn that promises much for the series to come. Readers with patience will be rewarded by a thrilling finale and an exciting glimpse into a potential future military conflict.